San Diego veterans The Boyish Charms are nearly finished with the recording of their new EP, to be titled Infinity In Its Infancy.
Set for a March release, the EP will boast a whopping eight songs, which is like two EPs in one, or one slightly-short full length, or even four singles. The ample number of tracks shouldn’t come as a surprise; the prolific band already has six full length albums, three EPs, and a seven-inch in their illustrious discography.
Chicago’s super-awesome Pit Er Pat are hitting the road this fall in support of High Time, their new album due out on 10/21. This effort finds the band traveling down a dusty and dark path with guitars, sequencers, drum machines, and a slew of foreign percussions.
Oakland rockers Man/Miracle have released a new 7-inch entitled “Pushing And Shoving/You’ve Got A Hold On Me”. The song “Pushing And Shoving” was previously included on the band’s supergood self-titled full-length album, and “You’ve Got A Hold On Me” is previously unreleased. You can listen to the A-Side at their MySpace, the B-Side here, and buy the record and other merch here.
This excellent, sparse version of “Mississippi” is available free for a limited time, so get it while you can. It’s well worth the hassle of downloading Amazon’s MP3 store app. Your download experience should be hassle-free.
The A.V. Club is delighted to point you to a free download of a new live collaboration between Wilco and Fleet Foxes, a cover of Bob Dylan’s “I Shall Be Released” which was recorded in Bend, OR on the recent Wilco tour. Wilco’s working with Headcount.org, “a nonpartisan, non-profit organization dedicated to voter registration and inspiring participation in democracy through the power of music.” So when you download this track, you’ll be asked to click a simple button, pledging to vote in the upcoming national election on November 4. And if you’re feeling particularly generous, Wilco’s also suggesting you make a donation to Second Harvest/Feed America.
Yesterday, I sat down with Dan Murphy, Golden Smog’s affable guitarist, to talk about Barack Obama, Brian Wilson, the band’s early days, Soul Asylum, The Jayhawks, Jeff Tweedy, nonexistent Swedish brides, and the music industry.
Murphy’s Midwestern supergroup will release Stay Golden, Smog on September 23. The record is made up of tracks from the band’s early years, but also features two unreleased tracks: a demo version of “Until You Came Along” and an unearthed cover of Brian Wilson’s “Love and Mercy.”
Good news on the Vic Chesnutt front. Coming off the heels of his really good release “North Star Deserter,” Mr. Chesnutt teamed up with Elf Power to record Dark Developments.
A tuneful collision of Athens institutions finds fruition this fall when Orange Twin releases Dark Developments, Vic Chesnutt’s collaboration with Elephant 6 psychsters Elf Power. As intriguing as this combination may seem for fans of either act, the final sonic results reveal a daunting sum much greater than even the involvement of such esteemed parts would imply.
All the Saints have joined the roster at Touch and Go Records! The band’s scorching debut album Fire On Corridor X was released in North America digitally on September 9th and will appear on wax November 4th (all formats available in Europe November 3/UK November 17).
New Calexico MP3: “Two Silver Trees” - “The song ‘Two Silver Trees’ is fairly indicative of what’s to come from Calexico throughout Carried to Dust, their new full-length album that features appearances by Sam Beam, Douglas McCombs, and Pieta Brown.
The Avett Brothers have a new album coming out in July. It’s called The Gleam 2, and if this MP3 (below) is any indication, it’s going to be freaking awesome.
So you’ve been waiting patiently to see what kind of beautiful wackiness Man Man will get into this time, and they start off by insulting your hygiene: “you need a haircut / you need a shoeshine.” Sheesh, look who’s talking. Thus starts “Top Drawer,” the first single off Rabbit Habits, Man Man’s Anti- debut (expected to be released on April 8, 2008). Part swampy juke joint brawlers, part smooth Philly doo-wop crooners, with a sprinkling of wild-eyed, demon-haunted art hustlers and a hint of punky kindergarten playroom Pollyannas, Man Man never fail to provoke and inspire in a single instance.
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