Poetic Memory: Kissing Cousins (List)

L.A.-based Kissing Cousins, an “all female sepulchral counter-pop” band led by Heather Bray Heywood, began with a few modest EPs. Since then, they’ve had a song featured on Nip/Tuck and recorded a full-length album, Pillar of Salt. Kissing Cousins recorded Pillar live to tape—a rarity in today’s mostly digital landscape—with the help of Richard Swift. The band used Wilco’s old TASCAM 8-track to record the album, bestowing a second life upon the piece of equipment that has produced some of Wilco’s greatest songs. Kissing Cousins definitely do the machine justice.
Music videos for Pillar are in the works, and the vinyl will be released in July (see tour dates below). For samples, check out “In Too Deep” from Pillar, as well as “Deathhouse“, Heywood’s personal favorite song from the album.
After the jump: 10 bands that influenced Heywood’s songwriting “in some shape or form.” (more…)
Poetic Memory: The Rest (List)

The last time Ontario, Canada’s The Rest played at the Casbah, we missed it. But we won’t make that mistake again. After all, according to their MySpace page, The Rest like all the things that we like: doing push-ups, shooting each other with water guns, howling at the moon, and delicious Thai food. (More details below.) We have other reasons, too. For one, their new album, Everything All At Once, is amazing. For another, they graciously agreed to write the latest installment of Poetic Memory. Also, they use the word “rascal” in their lyrics.
We’ve featured The Rest on our podcast a few times, but in case you missed it, here are a couple of MP3s. The wondrously haunting “Drinking Again” is definitely one of our favorite songs of 2009. Also, be sure to check out “Everything All At Once“, the epic titular track from their new album.
Poetic Memory is a regular Owl and Bear feature in which musicians disclose their influences—whether it’s albums, songs, artists, or something random. If you’re interested in being featured here, send us an email. (more…)
Poetic Memory: Alan Wilkis (List)

Brooklyn’s Alan Wilkis calls himself “a sponge type of listener” who is “influenced by many different artists, genres, and time periods” and it’s easy to tell from his music. His new EP is called Pink and Purple, and it’s a blast. To describe his taste, Wilkis says, “One day I might be listening to some death metal, next day it’s 80s hip-hop, then Bach fugues, and then it’s Elvis Costello all weekend.” His style will take you by surprise, but it’s a good thing—and it’s plain that he writes for sheer enjoyment.
We described his last album, Babies Dream Big, as “reminiscent of anything from funk to deep soul to something like the soundtrack to Ghostbusters,” and Pink and Purple operates in a similar dimension. Given last week’s passing of Michael Jackson, it seems only appropriate to publish Wilkis’ list of influences, which he readily admits is “a little 80s funk-heavy.” Below are Alan Wilkis’ top 10 influences.
Poetic Memory is a regular Owl and Bear feature in which musicians disclose their influences—whether it’s albums, songs, artists, or something random. If you’re interested in being featured here, send us an email. (more…)



