The crowd at the Casbah gazed skeptically at the short, spritely Swedish woman in their midst. Scheduled as the opening act for Tapes ‘N Tapes and Wild Light—two fast, all-male rock bands—the woman quietly ascended to a stage littered with unmanned instruments. When she introduced the inanimate objects as her band, and people realized that she would be playing all of them by herself, the venue’s early arrivals began to nervously eye the exits. But all that changed when Theresa Andersson took off her shoes.
