Real Estate – Real Estate (Review)
New Jersey has produced some terrific music in years past. I mean, come on: Frank Sinatra, George Clinton, The Boss, Yo La Tengo, Bon Jovi… Alright, maybe not the Bon Jovi part, though I do freely admit to feeling the urge to sing along whenever “It’s My Life” comes across the airwaves. Don’t judge. But out of all those bands, Yo La Tengo is probably the most similar to Real Estate, and even that comparison is a stretch.
“Beach Comber”, the opening track on Real Estate’s self-titled debut, serves as a perfect introduction to the band’s surprising restraint and easy-go-lucky rhythm. Their music uses a feeling of youthful carelessness not just as a sonic template, but as a common theme that runs throughout the album. Front man Martin Courtney exhibits a thoughtful, sincere singing style, his voice humbly meshing with the hushed, playful tones. (more…)
Poetic Memory: The Moviegoers (List)
In the 1960s the average band enjoyed fame for a couple of months, if that, before people’s attention shifted to the next rising (and soon to be falling) stars. Being a one-hit wonder wasn’t a failure, it was the norm, and accomplishments by bands like The Beatles and The Kinks were rendered all the more impressive by the fact that any kind of longevity was exceptional, and enjoyed by only a small percentage of groups.
Not much has changed since then: nowadays most bands—particularly in the realm of indie rock—still amount to little more than passing fads, soaking up their proverbial fifteen minutes of fame before succumbing to irrelevance. But one thing that has been accelerated by the internet is that entire genres seem to rise and fall in the space of a few months, leaving up-and-coming groups scrambling to tap into the next sound du jour and ride the Wavves waves of recognition before they fizzle out.
Then there are bands who are content to just create great music. Unfazed by meaningless trends, they place emphasis on great songwriting, captivating melodies, and a distinctive but inviting sound. They may not get drooled over by Pitchfork (and if they do, it’s only so long until P4K’s drool runs dry and the inevitable backlash begins), but they do create a body of work that speaks for itself, and will outlast the one-MP3 wonders that permeate the blogosphere. San Diego’s The Moviegoers are one of those bands, and though they may not auto-tune their vocals or mangle their guitars with lo-fi crunch, they do create moving and memorable songs accented by rich harmonies and understated confidence. And that never goes out of style. (more…)
Poetic Memory: The Rest (List)
The last time Ontario, Canada’s The Rest played at the Casbah, we missed it. But we won’t make that mistake again. After all, according to their MySpace page, The Rest like all the things that we like: doing push-ups, shooting each other with water guns, howling at the moon, and delicious Thai food. (More details below.) We have other reasons, too. For one, their new album, Everything All At Once, is amazing. For another, they graciously agreed to write the latest installment of Poetic Memory. Also, they use the word “rascal” in their lyrics.
We’ve featured The Rest on our podcast a few times, but in case you missed it, here are a couple of MP3s. The wondrously haunting “Drinking Again” is definitely one of our favorite songs of 2009. Also, be sure to check out “Everything All At Once“, the epic titular track from their new album.
Poetic Memory is a regular Owl and Bear feature in which musicians disclose their influences—whether it’s albums, songs, artists, or something random. If you’re interested in being featured here, send us an email. (more…)
