English folk band Mumford & Sons seemed to come out of nowhere last year, capturing people’s attention and hearts with their sweeping debut, Sigh No More.
Blending the homespun sincerity of The Avett Brothers with the Celtic stomp of Flogging Molly, the London four-piece are an unlikely phenomenon. But thanks to the cathartic, pint-waving choruses of songs like “The Cave,” “Winter Winds” and “Little Lion Man,” the band are now the subject of adoration from both sides of the pond. Continue reading…
Fans of San Diego’s eccentric mariachi rockers Red Pony Clock have no doubt noticed Normandie Wilson, their fetching marimba player. The self-described “DIY Burt Bacharach-influenced pop” songstress is preparing her fourth solo album, The Flower Box, for release on July 1st. You can hear the first single, “Elevator,” on her MySpace page, or you can download the lovely “Goodbye” here (MP3).
It’s fitting that Wilson’s vocals soar like a bird over her swanky pop arrangements — she’s a member of the San Diego Audubon Society, and has dedicated herself to painting every single species of bird before she dies. We’re guessing that she also approves of (at least the first half of) our website’s name.
Wilson will be tearing herself away from the mixing board on June 23rd for a rare performance at the E Street Cafe in Encinitas, so be sure to catch her. In the meantime, be sure to check out her Poetic Memory below, in which she lists the albums and artists that ignited her love for music. Continue reading…
The Cincinnati group’s newly released LP, High Violet, is their third stellar album in a row, completing the astonishing trilogy they began with 2005’s Alligator and 2007’s Boxer. Like those records, High Violet finds the band in peak form, maintaining a calculated mastery of their material that begins when the needle drops and doesn’t let up until the final track fades away. Continue reading…
“The Casbah has always been a special place for us,” Frightened Rabbit singer Scott Hutchison informed the enthusiastic, sold-out crowd.
It was his band’s third appearance at the quintessential San Diego venue — which he claimed had given them their first headlining gig — and you could tell that his professed love was genuine. The show was the second to last stop on Frightened Rabbit’s US tour, but the smiles on their faces made it clear that it was far from just another gig. Continue reading…
For a show whose key components included a smoke machine and a guy singing soprano, there was nothing cheesy about The Besnard Lakes‘ May 12 performance at the Casbah. Over the course of three albums, the Montreal four-piece has made its name playing loud, epic art-rock with a sugary Beach Boys center. Their cinematic compositions could have sounded sloppy or unruly in a live setting, but the band proved that they needn’t rely on recording studio trickery. Continue reading…
