All posts by chris maroulakos

Charlotte Gainsbourg – “Heaven Can Wait” (Video)

It’s hard not to love Charlotte Gainsbourg. Even the film Antichrist, with its disturbing imagery, rampant misogyny, and charming genital mutilation couldn’t lessen our affection for her. She may not be the only indie musician/actress out there, but she is the only one who does both things well (take that, Deschanel). The ambidextrous Gainsbourg has once again put on her songwriter’s cap for her forthcoming album IRM. Her gorgeous debut, 5:55, was produced by none other than the great Nigel Godrich, but this time around Gainsbourg has enlisted Beck to produce and cowrite all the songs.

The star-crossed pairing has just yielded its first video, the Keith Schofield-directed “Heaven Can Wait”. Beck’s vocals feature strongly in the song, lending further weight to the idea that the record is a Gainsbourg solo album in name only. In the surreal clip, mundane interactions between people and bizarre creatures are interrupted by bizarre bouts of food fetishism and sudden acts of violence. IRM will be available stateside on January 26th via Elektra, and the smart money says it’ll be a good one.

Cloud Cult Reissue Two Albums, Record New One (MP3)

Cloud Cult

Cloud Cult have been riding high lately. Their two most recent albums, The Meaning of 8 and Owl&Bear favorite Feel Good Ghosts (Tea Partying Through Tornadoes), have marked a creative peak for the band, the hard-won result of ten years of touring, seemingly insurmountable hardships, and a recorded output far too large to shake a stick at. The Minnesota band even took a victory lap with last year’s No One Said It Would Be Easy, a documentary that chronicled the ebbs and flows of the group’s career.

It seems that Cloud Cult haven’t quite finished turning their collective eye toward the past, because they’re re-envisioning, remixing, remastering, rearranging, and finally rereleasing two of their older albums. On December 8th, the previously out-of-print They Live On The Sun (2003) and Aurora Borealis (2004) will be reborn, Siamese twin-style, as a double disc reissue with bonus tracks. The home-recorded albums have been given a welcome shot in the arm thanks to the remixing and remastering process, and fans of the band’s more recent output will be well served to find out how the band got to be so darn good. Here’s some info: Continue reading

Review: Edward Sharpe and the Magnetic Zeros; November 3, 2009; Belly Up Tavern, San Diego

Edward Sharpe and the Magnetic Zeroes - November 3, 2009

Alex Ebert sure does like to reinvent himself. First a rapper, then the flamboyant front man for the goofy post-glam Ima Robot, Ebert has reformed himself once again—this time as the messianic mastermind behind Edward Sharpe and the Magnetic Zeros. In the persona of Edward Sharpe, he presides over a dedicated troupe of musicians/followers who create alternately sentimental and moody rock reminiscent of 60s hippie-folk and Ennio Morricone film scores. Continue reading

Review: Noah and the Whale; October 21, 2009; Casbah, San Diego

Noah and the Whale - October 21, 2009

The first thing you notice about Charlie Fink is how young he looks. With his curly, tussled hair resting atop an angular but cherubic face, Fink hardly seems like the person responsible for the world-weary outlook and deep, creaky vocals that have come to characterize Noah and the Whale’s sound. Of course, the band’s music wasn’t always grim—it used to be as youthful and fresh as Fink’s appearance. Continue reading

Frightened Rabbit – “Swim Until You Can’t See Land” (Video)

Frightened Rabbit, the lads responsible for Owl&Bear’s 2008 Album of the Year, are back with a video for “Swim Until You Can’t See Land”, the A-side off their new 7-inch single. It’s great to hear Scott Hutchison’s quivering brogue again, and you can mark us down as officially excited for the band’s upcoming album. The elegant clip goes to show that you don’t need high-concept ideas or quirky animation to make a captivating video. Sometimes you just need a great band, a great song, and some flashlights.