Review: Tom Waits; July 1, 2008; Jacksonville, FL

Tom Waits - July 1, 2008
“I’m like a fucking race horse.”
–Tom Waits, Jacksonville

Tom Waits’ tours are fairly infrequent, so when I heard he was headed to Jacksonville two hours away from my house, I splurged. Jacksonville? Why Jacksonville? It’s not really the red dirt, bluesy part of the south Waits wanted to see. Jacksonville is South Beach’s conservative opposite, militarized vanilla beach Florida, which tolerates the small, local counterculture because it’s essentially irrelevant. Jacksonville is by some definitions lovely, but it’s not, well, cool. When, early in the concert, Waits mused about why he’d never been to this attractive city beside a sparkling river and the Atlantic Ocean, he said his friends had always told him, “You’re not old enough.” I don’t know whether he’s finally old enough now or if the prospect of hauling the tour bus and three semis ten hours south and back north was too much for his pocketbook or his carbon footprint, but he arrived with a copious supply of merchandise–including vinyls, a chapbook in which he interviews himself, and t-shirts with pictures of oil stains he thought were cool–as well as a sweet stage set that could evoke alley-cat twilight austerity, late-night honkytonk, or red-devil cartoon hell.

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The Dreadful Yawns – Take Shape

Dreadful Yawns - Take Shape
2008, Exit Stencil

Cleveland’s The Dreadful Yawns are back.

Take Shape, The Dreadful Yawns’ second album, has been described as more psychedelic than their first release; this might be a worry if the Dreadful Yawns hadn’t awed us last time.

They’ve always have a retro sound, and it’s sometimes more prevalent this time ’round, but it’s largely a relaxing affair. The album’s first track, “Like Song,” starts out as a stripped and countrified Jim O’Rourke rhyme and ends with full-on Loose Fur loveliness–the kind of thing that the Yawns do best. The next song, “The Queen and the Jokester” is a Kinks-style stomp.

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