Category Archives: music news

The Builders and the Butchers Offer ‘Salvation’

The Builders And The Butchers
Portland-based barn burners The Builders And The Butchers are set to unveil their new album, entitled Salvation Is A Deep Dark Well, on June 30th.

The follow-up to their self-titled debut will be released through Gigantic Records, and will house eleven tracks, many of which were presumably played during the band’s red-hot Casbah performance in February. If that show was any indication, the new record will have you writhing on the floor and speaking in tongues in no time.

Judging from Salvation‘s track list, the album will contain all of the back-woodsy, apocalyptic, foot-stomping folk voodoo that you’ve come to expect from The Builders And The Butchers. The band will be complimenting the record with a full US tour, the dates for which have yet to be announced, but we’re guessing there will be a San Diego stop in there somewhere.

Track list after the jump. Continue reading

‘We Got the Sky To Talk About and the Earth to Lie Upon’ (MP3)

Steve Earle - Townes

An understatement would be to say that Townes Van Zandt was troubled. Another would be to say that he wrote some of the greatest—and darkest—songs of his era.

Steve Earle has undoubtedly seen a dying Van Zandt reflected in his own mirror: while Earle claims to have kicked the drugs and avoided a painful, early demise, Van Zandt never managed to escape the self-destruction that defined his persona and made his music so sadly beautiful.

In honor of his friend, Earle named his son Justin Townes (if ever there were a namesake to not live up to), and now he’s recorded an album of Van Zandt covers, aptly titled Townes. Because these songs were written by Van Zandt, it’s possible that this might be Earle’s best release since Transcendental Blues—if not ever—but that’s beside the point (and I haven’t heard the CD). Continue reading

‘Fork’ is Neil Young’s ‘Version of Twitter’

Neil Young - Fork in the RoadI hated it less than I thought I would: this 2.5-star Pop & Hiss review pretty much sums up my feelings about Fork in the Road, Neil Young’s new album.

The album is part public service announcement, part condemnation of the status quo and part reflection of the risks and rewards of letting go of ideas when their time has passed. The outcome is more noteworthy for Young’s stinging guitar work, passionate vocals and his powerhouse band’s accompaniment than for finely crafted songs that add considerably to Young’s estimable body of work.

To some extent, the lyrics simply establish a framework for the musical excursions, which are mostly Young’s signature brand of grinding rock. Along the way, the music picks up bits of funk and blues boogie. The most poignant number is “Light a Candle,” for which Young briefly unplugs to sing sweetly about the possibility of inner transformation.

Blake Miller to Release ‘Burn Tape’ April 21 (MP3s)

blake_ph_1
We were right. After listening to 2006’s rough-but-really-good Together With Cats, we predicted that Blake Miller‘s sophomore effort would altogether astonish and impress. Okay, maybe we didn’t write those exact words, but that’s exactly what happened.

Frankly, we were a little concerned that Burn Tape wouldn’t happen at all. When Miller’s home-recorded debut Together With Cats came out back in late 2006, an insider at Exit Stencil Records promised a quick follow-up. You can imagine the surprise, then, when we received a smartly-packaged compact disc a distant 2.x years later. Continue reading

Bunny Gets an 8.9 (MP3)

redredmeat-bunnyRed Red Meat’s Bunny Gets Paid, easily one of my favorite albums ever, has been remastered and re-released by SubPop as a two-disc deluxe edition. Pitchfork recently reviewed the re-release and gave it a glorious 8.9. The deluxe edition contains a number of rarities, including a dub version of the song “Mouse,” as well as an early cover of Low’s “Words,” which some have said predicates the sound that Low would later adopt.

In other good news, Red Red Meat successor Califone is set to release a mysterious new album. With the release date, title, tracklist, and just about everything else still unknown, you should go buy Bunny. You won’t regret it.

With Bunny, all of a sudden Red Red Meat seemed artier, more hidden and inscrutable. Rutili has always spoken in riddles, content to braid together phrases or even single words that sound pleasing to the ear, but here the fragmentation became more extreme. Somehow, when the syllables pile up and the flow of vowels and consonants rides the arc of the music, the effect could be sublime. “Mink-eyed, marble-eyed/ In the gauze, in the weeds/ By the drain, red on pale/ There’s a nail by the vent,” goes the chorus of “Gauze”, Bunny Gets Paid’s stone classic and a contender for the best song Rutili has written. Who knows what it means. But if you can picture a scrubby patch of weeds and in it a clump of gauze, possibly soiled, twitching in the breeze, and the disconnected image of decay stirs something in you, you’re on your way to falling in love with Red Red Meat.

Here’s an MP3 of “Gauze”, courtesy of SubPop.