The Vision of a Dying World Just ‘Don’t Understand’ (MP3)

The Vision of a Dying World

Jackson Milgaten gets a lot of press. Whether it be as co-founder of red-hot San Diego label Single Screen Records, his work promoting and booking shows under the Action Jackson Promotions moniker, or for his omnipresence in a slew of “side projects” that include Cuckoo Chaos, The Paddle Boat, and Maren Parusel’s backing band, a lot of metaphorical ink is spilled on Milgaten’s behalf. So much so, in fact, that it can be hard to remember that his main band, The Vision of a Dying World, is still around and kicking.

In case you do need a reminder, the band will be releasing a new EP, titled I Will Not Fear What I Don’t Understand, this Saturday at the Soda Bar. The songs were recorded, mixed, and mastered by Jackson’s equally busy brother/Vision guitarist Keith Milgaten (also of Black Mamba and Jamuel Saxon fame) and marks the band’s first release since 2007’s Skelephone Call From The Eastern Side. Here’s a little background on the EP from Jackson himself: Continue reading

NPR Streaming Horrible New Avett Brothers Album

The Avett Brothers

The new Avett Brothers album is terrible. It’s without a doubt the worst album we’ve ever heard, and you should avoid it at all costs. If Kelly Clarkson and Carrot Top were to put out an album of traditional yodeling duets, it would probably sound way better than this abomination. Listening to the Avett album’s so-called “music” will leave you with bloody ears, hairy palms, and a brutal case of IBS.

Oh who are we kidding? The new album is incredible, combining all the upbeat catchiness of Emotionalism with the breathtaking sincerity of the Gleam EPs. It’s just that every time we write about the Avetts, we gush about them, and we don’t want to bore you with our repetition. But I can’t help it—just as the Avett Brothers can’t seem to help putting out great records. Continue reading

Book Review: ‘That Summertime Sound’ by Matthew Specktor

That Summertime Sound by Matthew Specktor

That Summertime Sound is a vivid and memorable document of ’80s-era musical obsession.

Screenwriter Matthew Spector’s debut novel centers around a nineteen-year-old college kid who decides to skip summer back home in L.A. for the comparably more interesting Columbus, Ohio. The narrator (who wishes to remain nameless) seeks new experiences, as well as Lords of Oblivion, his mythical favorite band, so the trip doubles as a hajj to pray at lead singer Nic Devine’s wailing wall of sound. Continue reading

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