When it was announced that indie darlings Clay Your Hands Say Yeah would be going on hiatus, fans clasped their hands and screamed no. Such breaks rarely bode well for a band’s future, and assurances from the group that the split would only be temporary did little to assuage concerns. Though the Brooklyn-based band’s future remains uncertain, fans can at least take comfort in following frontman Alec Ounsworth‘s new solo career. Continue reading
Brooklyn’s Alan Wilkis calls himself “a sponge type of listener” who is “influenced by many different artists, genres, and time periods” and it’s easy to tell from his music. His new EP is called Pink and Purple, and it’s a blast. To describe his taste, Wilkis says, “One day I might be listening to some death metal, next day it’s 80s hip-hop, then Bach fugues, and then it’s Elvis Costello all weekend.” His style will take you by surprise, but it’s a good thing—and it’s plain that he writes for sheer enjoyment.
We described his last album, Babies Dream Big, as “reminiscent of anything from funk to deep soul to something like the soundtrack to Ghostbusters,” and Pink and Purple operates in a similar dimension. Given last week’s passing of Michael Jackson, it seems only appropriate to publish Wilkis’ list of influences, which he readily admits is “a little 80s funk-heavy.” Below are Alan Wilkis’ top 10 influences.
Poetic Memory is a regular Owl and Bear feature in which musicians disclose their influences—whether it’s albums, songs, artists, or something random. If you’re interested in being featured here, send us an email. Continue reading