Poetic Memory: Sparrow and the Workshop (List)

Sparrow and the Workshop are the latest indie folk offering from across the pond. Comprised of Jill O’Sullivan (vocals/guitar), Gregor Donaldson (drums/vocals), and Nick Packer (bass), the Glasgow three-piece churn out soft, ambling ballads with ominous undertones. The lovely Ms. O’Sullivan was kind enough to provide us with a list of some of her favorite musically inspiring films:

This is a list of films I have seen throughout my life that have inspired me to go out and either a) buy the soundtrack, or b) buy music by nearly every artist on said soundtrack. I also think people might like to check these films out. This is by no means a list of the best movie soundtracks ever, because I haven’t seen enough films to have anything resembling authority on the matter. Okay, so here is the list in no particular order…

To find out how O’Sullivan gets from Jim Jarmusch to Winnie Cooper in four moves — after a quick stop in Finland — check out her Poetic Memory below. Continue reading…

Interview: Shout Out Louds

Photo credit: Christian Coinbergh

Shout Out Louds could have been just another casualty of the sophomore slump. Their second album, 2007’s Our Ill Wills, was met with a tepid reception by fans and critics, who criticized it for being over-produced and lifting too heavily from bands like The Cure.

Those complaints have been silenced with Work, the Swedish band’s triumphant return to form. Shout Out Louds have never sounded this driven or vital, thanks to some captivating, no-nonsense arrangements, adhesive melodies, and Phil Ek’s gleaming production.

San Diegans will get to experience Work standouts “Walls” (MP3), “Fall Hard,” and “Show Me Something New” on May 22nd, when the rejuvenated band joins Freelance Whales and Ok Go for an afternoon show at House of Blues. Tickets for the event can be purchased here.

We sat down with multi-instrumentalist Bebban Stenborg to discuss Shout Out Louds’ revamped approach. Continue reading…

Review: Heartless Bastards; May 1, 2010; Casbah, San Diego

There are bands you passively enjoy, and then there are those whose music, for whatever reason, fits like key to lock in that musical sweet spot deep within your brain. Heartless Bastards have always been the latter type of band for me, and I don’t know whether it’s their gritty Southern influences, lead singer Erika Wennerstrom’s bluesy alto, or some mysterious combination of the two, but I’ve been proselytizing them to the world since I first heard their music. Continue reading…

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