She & Him – “Why Do You Let Me Stay Here?” (Video)

Joseph Gordon-Levitt and Zooey Deschanel(500) Days of Summer is a formulaic, twee romantic comedy masquerading as an iconoclastic rethinking of the date movie designed to lure in unsuspecting hipsters by flattering their self-perceived sophistication and esoteric musical taste (“You like the Smiths?“) that ultimately perpetuates the same silly, shallow, and juvenile worldview it claims to transcend, and, in doing so, sends the increasingly trite and predictable indie-rock film aesthetic careening even further toward the mainstream whilst offering a version of He’s Just Not That Into You for Buffalo Exchange shoppers.

But that doesn’t mean it isn’t fun.

Case in point: the new video for She & Him‘s “Why Do You Let Me Stay Here?” (courtesy of USA Today), which stars (500) Days odd couple Joseph Gordon-Levitt and Zooey Deschanel (aka the She to M. Ward’s Him) in the charming tale of a mid-heist boogie session. Had this video been included in the movie, it would have stood out as a rare reprieve from watching Gordon-Levitt agonize over Deschanel’s vacuous, Ringo-loving heartbreaker.

You can watch the video, preceded by an introduction from the perpetually dazed pleasant Deschanel, after the jump. Continue reading

Why So Modest? (Video)

King Rat

In January, it will have already been two years since Heath Ledger died. And as much as the world continues to miss him, that loss is eased somewhat by the continued unveiling of Ledger’s latter-day projects. Last summer, we were treated to a little film called The Dark Knight, which won Ledger a much-deserved posthumous Oscar.

This fall, we will get to see his final film, the Terry Gilliam-directed The Imaginarium of Doctor Parnassus (also starring Tom Waits), which finds Johnny Depp, Jude Law, and Colin Farrell assuming Ledger’s role for the scenes left unfinished at the time of his demise.

But, in even more exciting news, today has seen the belated release of “King Rat”, an animated music video Ledger directed for indie darlings/smart-asses Modest Mouse. Completed in collaboration with LA’s THE MASSES, the video’s release is timed to coincide with Modest Mouse’s new EP No One’s First and You’re Next. The EP contains newly recorded songs from the We Were Dead Before the Ship Even Sank and Good News for People Who Love Bad News sessions, as well as two rare b-sides.

In addition to being entertaining, the video has a conservationist bent. According to THE MASSES:

Proceeds from iTunes video downloads in the first month of release will go toward Sea Shepherd Conservation Society, an international non-profit, marine wildlife conservation organization organization committed to ending the destruction of habitat and slaughter of wildlife in the world’s oceans in order to conserve and protect ecosystems and species. Sea Shepherd uses direct-action tactics to investigate, document, and take action when necessary to expose and confront illegal activities on the high seas. We encourage you to visit their site if you are compelled to make a larger donation or volunteer your time.

We’ve got the video for “King Rat” after the jump. Continue reading

Poetic Memory: Sam and Ruby (List)

Sam and Ruby

Sam Brooker is from Wisconsin. Ruby Amanfu is from Ghana. When Ruby first heard Sam perform, she says, “I saw Sam before Sam saw me…It took me about 2.2 seconds before I thought, I want some of that.” When Sam finally got to see Ruby perform, he says she “blew [him] away.” Despite the immediate attraction, Sam and Ruby was a long time coming.

Although Ruby moved to Nashville from Ghana at age three, she remembers the change as something that awakened “this thing I had in me all along”—her musical sensibility—even though her devoutly Christian parents sheltered her from secular music. Her parents wouldn’t even let her listen to jazz, but did eventually branch out, “At age ten, my best friend gave me Madonna’s Like a Prayer, and it really opened up my world.”

Meanwhile, Sam was finding new music in a wholly American way—by raiding his brother’s record collection. Soon, he had taken a liking to James Taylor, Parliament, Bootsy’s Rubber Band, and Prince. He formed a band in high school, played shows in college, and never looked back. Eventually, he made a contact in Nashville: “The guy from the company called me and said, ‘Your CD sucks but we like your voice. Would you like to come down and record in our studio and get a little better demo?'”

It would still be several years before Sam and Ruby officially became a duo, but their partnership has now come to fruition. On August 11, they’ll release their debut album, The Here and The Now, which adheres to their mantra: “We want people to feel it like we feel it,” says Ruby.

For a taste of The Here and The Now, check out this MP3 of “Sarah“. Below are Sam and Ruby’s Poetic Memories.

Poetic Memory is a regular Owl and Bear feature in which musicians disclose their influences—whether it’s albums, songs, artists, or something random. If you’re interested in being featured here, send us an email. Continue reading

Boy Without God Has “Soul” (MP3)

Boy Without God

Within seconds of hearing Gabriel Birnbaum’s deep, syrupy vocals, several names spring to mind. Evoking Magnetic Fields singer Stephen Merrit, but with the folksy croon of Handsome Family vocalist Brett Sparks and the slurred swagger of Elvis Costello, Birnbaum draws from a plethora of influences for his solo project, Boy Without God.

Though a mere 23 years old, Boston native Birnbaum has already paid his dues in bands like Catholic Skin, The Abraham Lincoln Brigade, Drug Rug, Eli Reed, and The Tiny Tornadoes. He opted for the solo artist route in 2006, and has since released six home-recorded EPs and two full-length albums under the Boy Without God moniker. His newest album, Your Body Is Your Soul, finds Birnbaum pairing low vocals with high fidelity, spinning his acoustic tales of love and inadequacy into buoyant, witty, and touching meditations.

For your downloading pleasure, we’ve got the endlessly catchy and charming ditty “If You” and the Xiu Xiu-esque, slightly batshit “Holy Holy Little Fist“. You can also read CMJ’s interview with Birnbaum here.

Poetic Memory: Erika Davies (List)

If you’ve never heard Erika Davies, then you’ve never heard Shakespeare the way it’s meant to be sung. Her jazzy melodies scoop and flutter above delicately strummed ukulele in irresistible and intoxicating fashion. Serving up a cocktail of jazz standards and charming originals, Davies delivers an enchanting performance, anchored by gorgeous vocals and Amelie-esque charm.

Says Davies:

Before I sat to write this, I tried to recall my first memory of music. I couldn’t. It was as if I had to try and remember what it was like, exiting my mother’s slippery womb. I can, however, remember how tiny I was when singing to my first audience. How natural it felt just opening my soul to them. And how quiet everyone was, listening.

And from then on, music, it seems, has been drawn to me.

Miss Davies is currently hard at work penning her sophomore album, tentatively titled Nothing But A Note Thing, which she plans to record in January. You can catch her in two places this Saturday: she’ll be playing an early evening set at Golden Hill DIY venue The Habitat before scooting over to Air Conditioned for this year’s North Park Music Thing (formerly known as North By North Park). We’ve got Davies’ Poetic Memory list, as well as some additional tour dates, after the jump.

Poetic Memory is a regular Owl and Bear feature in which musicians disclose their influences—whether it’s albums, songs, artists, or something random. If you’re interested in being featured here, send us an email. Continue reading

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