Yesterday, we received a disturbing email from a Pitchfork Media staffer, detailing how senior management re-shaped his review of Wilco (The Album), which is set to be released on June 30, 2009.

The distressed staffer writes, “With high profile releases like this one, management will tell writers what an album’s rating will be. You have to write your review around the predetermined rating, which is partly why our reviews often contain weird metaphors and seem so hackneyed.”

He goes on to write that Pitchfork goons threatened to remove him from their staff—and office—if he didn’t comply with their wishes; he quotes one manager as saying “As you know, Pitchfork is so over Wilco, and the rest of the world should be too, whether it’s right or not. Actual merit is irrelevant. Look how much attention we got from our review of the Black Kids album. If you care about quality, you can go write somewhere else.” 

According to the writer, here’s a breakdown of what should’ve been vs. what is. Continue reading →